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Soft Quilt Glass Cases Repurposed Vintage Purple Quilt

$8

Soft Quilt Glass Cases Repurposed Vintage Purple Quilt

Saving old quilts is my passion. I am always trying to figure out how to save bits and pieces of tattered old quilts to give them a new practical purpose.

This listing is for ONE soft case sunglass holder, created from a quilt with a purple background and hand sewn petal pieces from 1940-50s fabric. I always line my items with vintage sheets from 1970s and earlier. The quilt pattern was Dahlia.

You will receive the one pictured.
It is like a mini quilt wrapped around and protecting your sunglasses. Measurements are approx 7.25” x 3.25”.

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Soft Quilt Glass Cases Repurposed Vintage Purple Quilt

Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.

We are now closed for Christmas and the New Year. We re-open to the public on Tuesday 18th January 2022. The shipping of online orders and our click and collect service resumes from Tuesday 4th January.

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Meet Our Makers

All of our makers are members of the Craft Potters Association and each of them have a story to tell.

Sandy Brown

Sandy Brown has been making ceramics now for over 50 years and is internationally known. After being introduced to ceramics in Japan, Sandy learned there that pots can be dynamic, exciting, free, and irregular. Moreover, they can be loved and used for those qualities.

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Ostinelli and Priest

Gaynor Ostinelli and Paul Priest, or Ostinelli & Priest, are well known for their animal sculptures which draw on both domestic and wildlife. Exhibited around the world, their work is represented in numerous galleries, public and private collections in the UK and overseas. The animals they sculpt varies as their subjects, and the demand for the work, expands.

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Adela Powell

Adela studied the natural sciences and her work reflects a depth of observation of the natural world. Universal patterns, textures, and forms in nature, where science and art are inseparable, are Adela’s constant source of inspiration. She is particularly drawn to fragmentation and erosion, which she attempts to incorporate in her work, allowing fortuitous accidents and influences from the subconscious to enrich the process.

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Jonathan Chiswell-Jones

Jonathan graduated from Farnham Art School in 1974 and worked for Joe Finch at Appin Pottery in Scotland. He began making once fired domestic ware in a pale stoneware body, guided and inspired by Bernard Leach’s ‘A Potters Book’. He went on to work in porcelain and to decorate with a brush.

In 1999, Jonathan moved to East Sussex where he built a smaller kiln in a more spacious workshop. He began to experiment seriously with reduction fired lustre which had fascinated him ever since he attended a course given by the late Marjorie Clinton two years previously.

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Tina Vlassopulos

As a rebellious schoolgirl, Tina always knew that she would go to art college as she absented herself from her maths lessons to go to exhibitions. In 1974, she commenced her BA in Ceramics at Bristol Polytechnic with a strong 2D portfolio but hardly any experience of working with clay and she found it challenging. Nevertheless, she was drawn to it because it was the only material which was so malleable, human, primal, intimate, flexible, fundamental, and could be adapted to suit all personalities.

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Jennifer Hall

Jennifer graduated from Cardiff Institute of Higher Education back in 1994, followed by work as a thrower and decorator for Gwili Pottery, Carmarthen. Jennifer set up her first pottery in 1997 in Buckinghamshire, later in 2001 she moved to Llanwrthwl, Powys to establish her successful studio. 

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